cold and calculated futurism of drum and bass with the warm and soulful jungle textures in a way that feels authentic to both.

Heavy modulating subs, ever-expanding pads and samples that repeat like the early pioneers of minimalism.

Flavours of UK techno mixed with the ultra-polished yet super-dark era of dubstep.

With that being two years since the Random Girl (2022) album is nice to see James Kay is still drip-feeding us bits of magic.

From capturing the quiet moments after clubbing to a harder sound of grainy textures and nostalgic mechanical artefacts.