Reports
Reports
Josi Devil - No More
Josi Devil's latest EP, No More (2026), evokes a primal, ancestral sound reminiscent of early British YouTube music, low bit rate and all. It blends elements of dark garage UK techno and bass house, showcasing a raw, minimalistic style with heavy bass and atmospheric effects. The tracks feature vocal stabs that contrast with their rolling beats, while others draw on dubstep and industrial influences, emphasising groove and tension. Rumbling kicks and grime-infused trap beats shape the club-ready sound. Overall, the Josi Devil balances nostalgia with innovative musical ideas, suggesting it may have timeless appeal, especially on wax.
Maara - Ultra Villian
I've been reflecting on the influence of Big Beat and Trip Hop on today's culture, especially amid lingering societal anxiety. Maara's album Ultra Villain (2026) stands out as a modern take on these genres, combining sensual vocals and dreamlike sounds while drawing inspiration from iconic artists such as Massive Attack and Portishead. What's exciting is how the album doesn't rely on clichés and incorporates contemporary elements like grime and UK funky, making it feel fresh and immersive.
Maara perfectly balance warmth and coolness, creating a dreamy atmosphere. The overall sound has a cinematic quality that reminds me of action films, blending boisterousness with a sense of femininity. Listening to this album truly transports me away from the monotony of everyday life into an engaging, cinematic experience.
John T. Gast - Infant
John T. Gast is an enigmatic figure in the UK underground music scene, known for his experimental sound that merges various influences, often creating a sense of lost or haunted media. His latest release, Infant (2026), features off-kilter sounds reminiscent of old video games, showcasing organic loops and rugged samples. The album stands out due to its warm, cohesive sound inspired by but not copying Aphex Twin, blending unsettling ambient elements.
As the album progresses, it takes on a more industrial tone with tracks that utilise hypnotic loops and deceptive rhythms. There's an overwhelming theme of haunted media, with unsettling, glitchy soundscapes. Gast's rejects contemporary production norms, leaning into surrealism and the aesthetics of lost media folklore.
Local Analyst - Similar Structures
In Similar Structures (2025), Local Analyst takes me on a deep dive into the world of aquatic techno, building on the groundwork laid by Drexciya. Instead of reinventing the genre, he aims to craft bone-chilling dance tracks that capture the essence of the ocean's depths. The opening track sets the tone with heavy, tectonic sounds reminiscent of underwater terrains, and the album's themes of isolation and darkness are inspired by films like Sphere and The Abyss. Striking examples of eerie whale songs create an unsettling atmosphere which evokes the ocean's vastness. tracks highlights the fearsome beauty of unseen creatures beneath the waves.
Joanna - Gardeners’ World / If You Don't Want Me (Remixes)
There could be a resurgence of the Madchester sound on the cards, highlighted by the recent remixes of Joanna's tracks, 'Gardeners World' and 'If You Don't Want Me' by Ddwy and Andras. These remixes draw inspiration from the iconic Madchester era, embodying the spirit of aspirational energy and psychedelic influences from the late 80s and 90s. There's a growing interest in British culture and a potential revival of Britpop, as younger generations gravitate towards nonconformist styles and the resurgence of psychedelic rock. The chaos and flawed personas of the original scene have faded, and in their place, a raw, guitar-driven sound has emerged amid a pop renaissance. However, it questions whether contemporary remixes can reach the heights of classic bands like Primal Scream, suggesting a shift in the music landscape.
VIER - IIII
The underground supergroup consisting of Thys, Machinedrum, Holly, and Salvador Breed has released their first album, IIII, under the new project VIER. which is praised for its exceptional sound design, musicality, and production quality. IIII features innovative layering of organic sounds, creating distinct atmospheres and rhythms that allow each element to shine without clashing. VIER's approach melds emotion with sci-fi wobbles typically found in bass music. While the album is well-produced and evokes tenderness, it struggles to create deeply memorable moments. The breakdowns are standout features, suggesting that more of these elements could enhance its broader appeal and secure its place in the upper tier of bass music.
Phase Fatale & P.E.A.R.L. - Climbing Silver
In late 2025, Phase Fatale and P.E.A.R.L. released "Climbing Silver," a record that diverges from their typical styles. This collaboration embraces hypnotic 16-note grooves and minimalistic instrumentation. The B side features grittier synthesisers and unique rhythmic elements, creating a dense atmosphere. The EP showcases subtle evolution in its sound and, at times, combines heavy dub-techno influences with intricate polyrhythms. This departure from their usual sound allows for creative exploration, resulting in a deep techno record that captivates listeners.
Vaarwell - 3am on the northern line
The London-based duo Vaarwell, originally from Portugal, is making waves in the UK underground music scene with their album 3am on the Northern Line (2025). Their sound blends UK garage with uplifting synth elements, offering a refreshing take amidst typical club bangers. The album is a reflective homage to the UK underground, drawing influences from key artists like Burial and Mount Kimbie.
The duo showcases angelic vocals and soft synths, highlighting the contrast between club influences and more introspective sounds. However, there are moments where originality feels lacking, particularly in garage sections that seem overly nostalgic, whereas their strength lies in vocal-driven melodies.
One standout track, 'Safe', balances nostalgia with modernity through emotive vocals and intricate breakbeats, creating a cinematic, exhilarating experience. Ultimately, while Vaarwell has a knack for texture and emotion, they need to innovate beyond familiar influences to fully realise their potential.
Viagra Boys - viagr aboys
The Viagra Boys have reinvigorated garage rock and punk with their unique songwriting and tongue-in-cheek humour, drawing comparisons to the original Oasis sound but with a more authentic vibe. Their latest album, Viagr Aboys (2025), showcases their gritty psychedelic guitar riffs and punk-inspired lyrics, embodying a summer feel even in winter. Their effervescent sound is joined by experimental exploration this time around. Some moments risk feeling zany for zany's sake, and the lyrics can verge on the nonsensical, but the band's nonconformity shines through. There are added layers of introspective depth, while the band maintain their iconic sound. Overall, the album's critical acclaim is well-deserved as the band stays true to their style while introducing new elements.